Skip to main content
Collections Menu
Cartoon - Too Early for Easter. The Newly Hatched Chick | McCord Museum
Trop tôt pour Pâques. Le poussin nouvellement éclos
View PDF
Trop tôt pour Pâques. Le poussin nouvellement éclos

Cartoon

Too Early for Easter. The Newly Hatched Chick
Artist (1870-1941)
SignatureL.r., A. G. Racey
Date 1931
Medium / Technique Ink and graphite
Dimensions48.2 x 33.1 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.23.69
CollectionMcCord
CreditGift of Susan Racey Godber and Margaret Racey Stavert
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Easter Egg
The Easter Egg
Arthur George Racey
1934?
M2005.23.253
Her New Easter  Dress Arrives
Her New Easter Dress Arrives
Arthur George Racey
1927
M2005.23.73
Beware of Too Much Merry Christmassing
Beware of Too Much Merry Christmassing
Arthur George Racey
1930-1938
M2005.23.175
Becoming Too Frequent
Becoming Too Frequent
Arthur George Racey
1930-1940
M2005.23.300
Nothing Too Severe
Nothing Too Severe
Arthur George Racey
1932
M2005.23.327
The Old Protection Swimming Hole
The Old Protection Swimming Hole
Arthur George Racey
1930
M2005.23.256
Fickle Fatima and Her Oily Wiles
Fickle Fatima and Her Oily Wiles
Arthur George Racey
1918-1928
M2005.23.257
Euler's Plan for Canadian Railway Solvency
Euler's Plan for Canadian Railway Solvency
Arthur George Racey
1920-1930
M2005.23.255
The Thoughtless Boomerang Thrower
The Thoughtless Boomerang Thrower
Arthur George Racey
1920-1930
M2005.23.260
What Does He See?
What Does He See?
Arthur George Racey
1920-1930
M2005.23.261
Total Chaos
Total Chaos
Arthur George Racey
1929
M2005.23.258
Brazil's Revolutionary Egg Dance
Brazil's Revolutionary Egg Dance
Arthur George Racey
1930-1934
M2005.23.259

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.