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Photolithograph - Sketches at the Fair. The Swine | McCord Museum
Croquis réalisés à la foire. Le cochon
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Croquis réalisés à la foire. Le cochon

Photolithograph

Sketches at the Fair. The Swine
Artist (1851-1923)
SignatureL. c. printed below image, by Ben Gough
Date 1873/09/20
Medium / Technique Ink on Paper
Photolithography
Dimensions40.5 x 28.5 cm
Origin Canada
Object NumberM985.230.339.5
CollectionMcCord
CreditGift of Colin McMichael
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Sketches at the Fair. Seeing the Elephant
Sketches at the Fair. Seeing the Elephant
John Wilson Bengough
1873/09/20
M985.230.339.8
Sketches at the Fair. The P'lice
Sketches at the Fair. The P'lice
John Wilson Bengough
1873/09/20
M985.230.339.9
Sketches at the Fair. The Bloods
Sketches at the Fair. The Bloods
John Wilson Bengough
1873/09/20
M985.230.339.6
Sketches at the Fair. The Sport
Sketches at the Fair. The Sport
John Wilson Bengough
1873/09/20
M985.230.339.7
Sketches at the Fair. The Geese
Sketches at the Fair. The Geese
John Wilson Bengough
1873/09/20
M985.230.339.4
Sketches at the Fair
Sketches at the Fair
John Wilson Bengough
1873
M985.230.339.1-20
Sketches at the Fair. The Horses
Sketches at the Fair. The Horses
John Wilson Bengough
1873/09/20
M985.230.339.1
Sketches at the Fair. The Ducks
Sketches at the Fair. The Ducks
John Wilson Bengough
1873/09/20
M985.230.339.10
Sketches at the Fair. Tares
Sketches at the Fair. Tares
John Wilson Bengough
1873/09/20
M985.230.339.17
Sketches at the Fair. Timothy
Sketches at the Fair. Timothy
John Wilson Bengough
1873/09/20
M985.230.339.18
Sketches at the Fair. The Sheep
Sketches at the Fair. The Sheep
John Wilson Bengough
1873/09/20
M985.230.339.3
Sketches at the Fair.  Rye
Sketches at the Fair. Rye
John Wilson Bengough
1873/09/20
M985.230.339.19

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.