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Cartoon - Playing Second Fiddle Is an Important Job Too. | McCord Museum
Jouer les seconds violons, c'est aussi un travail important
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Jouer les seconds violons, c'est aussi un travail important

Cartoon

Playing Second Fiddle Is an Important Job Too.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1949
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.3 cm
Origin Canada
Object NumberM965.199.8398
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
This Nero Plays Second Fiddle.
This Nero Plays Second Fiddle.
John Collins
1940/12/23
M965.199.1969
Won't Play Second Fiddle.
Won't Play Second Fiddle.
John Collins
About 1958
M965.199.6325
Won't Play Second Fiddle.
Won't Play Second Fiddle.
John Collins
About 1959
M965.199.5173
Too Big a Job for One Finger.
Too Big a Job for One Finger.
John Collins
1945
M965.199.4682
Too Many Playing by Ear.
Too Many Playing by Ear.
John Collins
About 1953
M965.199.7348
An Important Piece.
An Important Piece.
John Collins
About 1946
M965.199.9970
Man playing fiddle, painting, copied for J. A. McShane, 1919-20
Man playing fiddle, painting, copied for J. A. McShane, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18185
Important When Setting Our Table.
Important When Setting Our Table.
John Collins
About 1946
M965.199.214
Now Let's Get On with the Job
Now Let's Get On with the Job
John Collins
1960
M965.199.3995
The Glasses Go with the Job.
The Glasses Go with the Job.
John Collins
About 1960
M965.199.8944
The Smaller the Dog the Bigger the Job
The Smaller the Dog the Bigger the Job
John Collins
1949
M965.199.9770
One of His First Jobs.
One of His First Jobs.
John Collins
About 1947
M965.199.2932

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.