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Cartoon - A Job for Both. | McCord Museum
Du boulot pour les deux
Du boulot pour les deux

Cartoon

A Job for Both.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date 1940/01/17
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions38.6 x 26.8 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1981
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
It Will Take Both to Get Him On His Feet Again.
It Will Take Both to Get Him On His Feet Again.
John Collins
1945
M965.199.4474
"Wait Until We Can Give You Both Barrels !".
"Wait Until We Can Give You Both Barrels !".
John Collins
About 1944
M965.199.4764
Trying to Please Both
Trying to Please Both
John Collins
About 1939
M965.199.4298
Why Not Use Both Barrels ?.
Why Not Use Both Barrels ?.
John Collins
1942/10/16
M965.199.3392
Making Planes and Making Men Canada Needs Both To-Day.
Making Planes and Making Men Canada Needs Both To-Day.
John Collins
1942/10/08
M965.199.3386
A Nutcracker Needs Pressure from Both Sides.
A Nutcracker Needs Pressure from Both Sides.
John Collins
1943/07/16
M965.199.2142
Still Just a Patchwork Job
Still Just a Patchwork Job
John Collins
1943/10/01
M965.199.2206
Let's Finish the Job !.
Let's Finish the Job !.
John Collins
About 1945
M965.199.4653
Giving 'Em Both Barrels.
Giving 'Em Both Barrels.
John Collins
1943/01/05
M965.199.2276
Abused by Both Sides.
Abused by Both Sides.
John Collins
About 1939
M965.199.4197
Burning His Candle at Both Ends.
Burning His Candle at Both Ends.
John Collins
1943/01/22
M965.199.2001
The Animal with a Tale at Both Ends.
The Animal with a Tale at Both Ends.
John Collins
About 1967
M965.199.9641

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.