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Cartoon - Only Smiling with His Lips. | McCord Museum
Un sourire du bout des lèvres
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Un sourire du bout des lèvres

Cartoon

Only Smiling with His Lips.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1965
Medium / Technique Ink, graphite on Cardboard
Dimensions37.0 x 28.9 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1574
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
These Days His Lips Are Sealed
These Days His Lips Are Sealed
Serge Chapleau
1993
M996.10.123
Bouchard Still Trying to Seduce the USA: My lips are starting to hurt!
Bouchard Still Trying to Seduce the USA: My lips are starting to hurt!
Serge Chapleau
1998
M999.81.2
George Bush: I Have No Lips
George Bush: I Have No Lips
Aislin
1990
M990.761.163
Only Lip Service.
Only Lip Service.
John Collins
About 1949
M965.199.696
An Eye, An Ear, Locked Lips.
An Eye, An Ear, Locked Lips.
1875-1890
m971.179.2.1-2
Only Hooking His Own Pocketbook.
Only Hooking His Own Pocketbook.
John Collins
About 1950
M965.199.5400
"What Are You Smiling At, Daddy ?".
"What Are You Smiling At, Daddy ?".
John Collins
About 1967
M965.199.5818
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4288
Keeping His Bark Worse Than His Bits.
Keeping His Bark Worse Than His Bits.
John Collins
About 1970
M965.199.5782
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.