Skip to main contentGelatin silver glass plate negative - View from I.C.R. track, Georges River, NS, about 1914 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
View from I.C.R. track, Georges River, NS, about 1914
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
About 1914
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.1 x 25.2 cm
Origin
Canada
Object NumberVIEW-5125
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Georges River brook, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5128
A view on new I.C.R. loop line, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5126
View from I.C.R. track at Boiestown, NB, 1905 (?)
William Haggerty
1905?
VIEW-3925
View from I.C.R. track, Blackville, NB, 1905 (?)
William Haggerty
1905?
VIEW-3909
View from I.C.R. track, Blackville, NB, 1905 (?)
William Haggerty
1905?
VIEW-3910
New bridge on I.C.R. loop line, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5127
Miramichi River at I.C.R. track at Doaktown, NB, 1905 (?)
William Haggerty
1905?
VIEW-3923
River and bridge near I.C.R. Station, Antigonish, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8339
Looking from the I.R.C. track., Pictou, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8327
I.C.R. train passing, Folly Lake, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8295
View from Marconi Hotel, Louisbourg Marconi radio station, Louisburg, Cape Breton, NS, ca. 1914
Wm. Notman & Son
About 1914
VIEW-5142
I.C.R. bridge, Restigouche River, Matapedia, QC, about 1908
Wm. Notman & Son
About 1908
VIEW-4349
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.