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Dress
Designer
Morel-Pineau
Marks or LabelsLabel woven into grosgrain ribbon belt of skirt: Morel Pineau / GENEVE
Date
About 1930
Medium / Technique
Silk taffeta, silk tulle, silk grosgrain ribbon, metal hook and eye, metal bar, boning, fake pearl beads, rhinestones, gold metal settings, interfacing, elastic trim
Dimensions.1) Bodice: 48.3 cm (length); bust: 71.2 cm (circumference); sleeve: 49.7 cm (length)
.2) Skirt: 118.2 cm (length); waist: 57.6 cm (circumference)
.3) Brooch: 5.0 cm × 3.3 cm (length × width)
.4) Ornament: 78.2 cm × 1.7 cm (length × width)
ClassificationPersonal Objects - Clothing - Main Garments
Origin
Geneva, Switzeland, Europe
Object NumberM976.4.40.1-4
CollectionMcCord
CreditGift of Adele Stuart
NotesExhibition Costume Balls - Dressing Up History, 1870-1927
The Duchess of Richmond
Adele Stuart of Quebec City portrayed Frances Stuart, remembered as a romantic figure of the 1660s, who, as a lady-in-waiting to the wife of Charles II, refused to become his mistress. While he plotted to divorce in order to marry her, she eloped with the Duke of Richmond. Adele Stuart’s costume was made from an 1890s dress that she had extensively remodelled.
The Duchess of Richmond
Adele Stuart of Quebec City portrayed Frances Stuart, remembered as a romantic figure of the 1660s, who, as a lady-in-waiting to the wife of Charles II, refused to become his mistress. While he plotted to divorce in order to marry her, she eloped with the Duke of Richmond. Adele Stuart’s costume was made from an 1890s dress that she had extensively remodelled.
Status
On viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.