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Cartoon - Victor by a Technical Knock-Out | McCord Museum
Les partielles
Les partielles
Les partielles

Cartoon

Victor by a Technical Knock-Out
Artist (Né / Born 1945)
SignatureL. r. within image, Serge Chapleau '85
Date 1985
Medium / Technique Ink on Paper
Dimensions28.0 x 21.5 cm
Origin Montreal, Quebec, Canada
Object NumberM996.10.265
CollectionMcCord
CreditGift of Serge Chapleau
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Norman MacMillan: “It’ll be a technical knock-out right on the first day”
Norman MacMillan: “It’ll be a technical knock-out right on the first day”
Garnotte
2006
M2011.90.112
Guttman Acquitted Due to Technical Error
Guttman Acquitted Due to Technical Error
Serge Chapleau
1996
M998.51.118
Volume 1238-How to Pass the Time, by Victor Hugo Levy-Beaulieu
Volume 1238-How to Pass the Time, by Victor Hugo Levy-Beaulieu
Serge Chapleau
1981
M996.10.11
Opportunity Knocks.
Opportunity Knocks.
John Collins
1947
M965.199.1323
Knock Before Entering
Knock Before Entering
Normand Hudon
1968
M997.63.84
Opportunity Knocks.
Opportunity Knocks.
John Collins
About 1939
M965.199.4222
Opportunity Knocks.
Opportunity Knocks.
John Collins
About 1946
M965.199.34
His plan to reinvent television burns out...
His plan to reinvent television burns out...
Serge Chapleau
1987
m996.10.350
Billy Two-Rivers Speaks Out on Genetic Purity
Billy Two-Rivers Speaks Out on Genetic Purity
Serge Chapleau
1994
M996.10.675
To Be a Canadian ... No Need for a Shrink to Figure It Out
To Be a Canadian ... No Need for a Shrink to Figure It Out
Serge Chapleau
1994/07/05
M996.10.692
Put It Out...
Put It Out...
Serge Chapleau
1994
M996.10.627
Look Out, Behind!
Look Out, Behind!
Serge Chapleau
1994/10/12
m996.10.77

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.