Skip to main contentGelatin silver print - An Inuk man in a kayak bidding us farewell, Cape Wolstenholme, Quebec, 1920 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver print
An Inuk man in a kayak bidding us farewell, Cape Wolstenholme, Quebec, 1920
Photographer
Robert L. Ridley
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on paper
Gelatin silver process
Gelatin silver process
Dimensions9.6 × 14.8 cm
Origin
Canada
Object NumberM2013.36.2.1.321
CreditGift from Mrs. Justine Sentenne
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
An Inuit man in a kayak bidding us farewell, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.382
Inuit in kayaks bidding us farewell, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.2.47
Two Inuuk in kayaks bidding us farewell, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.104
Inuuk in kayaks bidding us farewell, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.322
Inuuk in kayaks bidding us farewell, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.324
Inuuk in kayaks bidding us farewell, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.470
Inuuk in kayaks bidding us farewell, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.464
Inuk boy at Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.2.48
Inuk boy at Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.319
An Inuk boy at Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.459
Cape on the east side of Eric Cove, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.2.41
Cape on the east side of Eric Cove, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.307
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.