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Gelatin silver glass plate negative
Mrs. Norah Peters in 1780s dress, Montreal, Quebec, 1924
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1924
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.3 × 20.3 cm
Origin
Montreal, Quebec, Canada, North America
Object NumberII-261671
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Miss Eileen Peters costumed as "A Society Lady of the 1780s," for the 1927 Quebec City Historical Ball, Montreal, Quebec, 1928
Wm. Notman & Son Ltd.
1928
II-282444
Miss Eileen Peters costumed as “A Society Lady of the 1780s,” Montreal, Quebec, 1928
Wm. Notman & Son Ltd.
1928
II-282443
St. Peter's Church, Cap à l'Aigle, QC, about 1895
Wm. Notman & Son
About 1895
VIEW-2946
St. Peter's Church, Cap à l'Aigle, QC, about 1895
Wm. Notman & Son
About 1895
VIEW-2947
St. Peters, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5205
St. Peter's on the Rock church, Cap à l'Aigle, QC, about 1895
Wm. Notman & Son
About 1895
VIEW-3290
Peter's Pool, Pabos River, QC, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2897
Vessels in canal at St. Peter's, Cape Breton, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8399
Schooner going through the canal at St. Peter's, Cape Breton, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8400
Miss Anna Cowans costumed as “Sir Peter Teazle,” Montreal, Quebec, 1924
Wm. Notman & Son Ltd.
1924
II-261636
Elizabeth Barnard, drawing (about 1780), photographed for Charles F. Notman in 1925
Wm. Notman & Son Ltd.
1925
II-268113
Mrs. Charles McKergow's family group, Montreal, QC, 1924
Wm. Notman & Son Ltd.
1924
II-259995
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.