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Albumen print - Benjamin Dickison’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1863-1870 | McCord Museum
Tombe de Benjamin Dickison au cimetière Green-Wood, Brooklyn, New York, 1863-1870
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
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Tombe de Benjamin Dickison au cimetière Green-Wood, Brooklyn, New York, 1863-1870
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.

Albumen print

Benjamin Dickison’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1863-1870
Photographer (1837?-1868)
Photographer (1842-1904)
SignatureNon signé / Unsigned
Date 1863-1870
Medium / Technique Silver salts on paper
Albumen process
Dimensions12.3 × 9.5 cm
ClassificationCommunication Objects - Documentary Objects - Graphic Documents
Object NumberM2019.7.2.102
DivisionPhotography - Documentary Collection
CreditGift of W. James Smeaton
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Lieutenant Gerald Fitzgerald’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1864-1870
Albumen print
Lieutenant Gerald Fitzgerald’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1864-1870
Charles Smeaton
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M2019.7.2.103
Tomb in Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Albumen print
Tomb in Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Charles Smeaton
1860-1870
M2019.7.2.106
Mary Maria Towner’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Albumen print
Mary Maria Towner’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Charles Smeaton
1860-1870
M2019.7.2.105
James Beattie’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Albumen print
James Beattie’s tomb in Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Charles Smeaton
1860-1870
M2019.7.2.104
Lefferts family tomb at the Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Albumen print
Lefferts family tomb at the Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Charles Smeaton
1860-1870
M2019.7.2.3.25
Nesbitt family burial plot at the Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Albumen print
Nesbitt family burial plot at the Green-Wood Cemetery, Brooklyn, New York, 1860-1870
Charles Smeaton
1860-1870
M2019.7.2.3.27
Tomb on the Via Latina, Rome, Italy, 1866-1867
Albumen print
Tomb on the Via Latina, Rome, Italy, 1866-1867
Charles Smeaton
1866-1867
M2019.7.2.2.68
Jesse Joseph, New York, New York, about 1865
Albumen print
Jesse Joseph, New York, New York, about 1865
Charles D. Fredricks & Co.
About 1865
MP-0000.2791
Balcony at Rideau Hall, Ottawa, Ontario, 1860-1870
Albumen print
Balcony at Rideau Hall, Ottawa, Ontario, 1860-1870
Charles Smeaton
1860-1870
M2019.7.2.3.31
60th battalion orders to move to Eccles Hill, Ottawa, Ontario, 1870
Albumen print
60th battalion orders to move to Eccles Hill, Ottawa, Ontario, 1870
Charles Smeaton
1870
M2019.7.2.3.39
Joe Beef's Supplement. Third Edition. Joe on an Elevator. The Wild Buffalo "Tom", Lifting "Joe Beef" higher than a kite. "The Toronto Globe, the Brooklyn Eagle and the New York sun, they all say the Glory of poor old Joe is gone"-visitor.
Wood engraving
Joe Beef's Supplement. Third Edition. Joe on an Elevator. The Wild Buffalo "Tom", Lifting "Joe Beef" higher than a kite. "The Toronto Globe, the Brooklyn Eagle and the New York sun, they all say the Glory of poor old Joe is gone"-visitor.
John Henry Walker
About 1885
M995X.5.35.15
Roman brickwork, Italy, 1866-1868
Albumen print
Roman brickwork, Italy, 1866-1868
Charles Smeaton
1866-1868
M2019.7.2.2.42

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.