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Albumen print - View of the Piazza Colonna, Rome, Italy, 1866-1868 | McCord Museum
Vue de la Piazza Colonna, Rome, Italie, 1866-1868
Vue de la Piazza Colonna, Rome, Italie, 1866-1868

Albumen print

View of the Piazza Colonna, Rome, Italy, 1866-1868
Photographer (1837?-1868)
SignatureNon signé / Unsigned
Date 1866-1868
Medium / Technique Silver salts on paper mounted on card
Albumen process
Dimensions24 × 19.5 cm
Origin Italy?, Europe
Object NumberM2019.7.2.2.101
CreditGift of W. James Smeaton

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
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Piazza del Duomo, Pisa, Italy, 1866-1868
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View of an aqueduct, south of Rome, Italy, 1866-1868
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Interior view of the cloister of San Lorenzo Fuori le Mura, Rome, Italy, 1866-1868
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Panoramic view of Rome from the Capitoline Hill, Italy, 1866-1868
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Entrance porch, Lateran Baptistery, Rome, Italy, 1866-1868
Entrance porch, Lateran Baptistery, Rome, Italy, 1866-1868
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Portrait of an unidentified friar, Rome, Italy, 1866-1868
Portrait of an unidentified friar, Rome, Italy, 1866-1868
Charles Smeaton
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Temple of Minerva Medica, Rome, Italy, 1866-1868
Temple of Minerva Medica, Rome, Italy, 1866-1868
Charles Smeaton
1866-1868
M2019.7.2.2.99
Statue of Diana?, Rome?, Italy?, 1866-1867
Statue of Diana?, Rome?, Italy?, 1866-1867
Charles Smeaton
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M2019.7.2.2.90
Entrance to the Carlo Baldassarre Simelli studio, Rome, Italy, 1866-1867
Entrance to the Carlo Baldassarre Simelli studio, Rome, Italy, 1866-1867
Charles Smeaton
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Bust of an unidentified woman, Rome?, Italy?, 1866-1867
Bust of an unidentified woman, Rome?, Italy?, 1866-1867
Charles Smeaton
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Captivity, Rome?, Italy?, 1866-1867
Captivity, Rome?, Italy?, 1866-1867
Charles Smeaton
1866-1867
M2019.7.2.2.95
Tor Fiscale, near Rome, Italy, 1866-1867
Tor Fiscale, near Rome, Italy, 1866-1867
Charles Smeaton
1866-1867
M2019.7.2.2.67

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.