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Tear sheet - The Mondrian Look | McCord Museum
The Mondrian Look
The Mondrian Look
The Mondrian Look

Tear sheet

The Mondrian Look
Artist (1919 - 2017)
SignatureNon signé / Unsigned
InscriptionsOn front, printed on newsprint paper, l.c.: THE / MONDRIAN / LOOK /A bright bit of madness that all / Paris adored! / Interpreted for / you here by "SPORTEMPOS", in fine / wool knit [...] / EATON'S / DOWNTOWN / AND FAIRVIEW; on back, printed on newsprint paper: [...]
Period Milieu 20e siècle
Dimensions54 × 37.6 cm
Origin Montreal, Quebec, Canada
Object NumberM2017.118.376
CreditGift of Georgine Strathy

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
The Mondrian Look
The Mondrian Look
Eugenie Groh
1965
M2017.114.66
Eaton's presents the Cleopatra look 
Eaton's presents the Cleopatra look 
Eugenie Groh
1963
M2017.114.50
Eaton's Play-looks from White Stag
Eaton's Play-looks from White Stag
Eugenie Groh
1964
M2017.114.60
Eaton's Play-looks from White Stag
Eaton's Play-looks from White Stag
Eugenie Groh
1964
M2017.118.339
Orange: A Delicious Way to Look
Orange: A Delicious Way to Look
Eugenie Groh
1965
M2017.118.365
The Town 'n' Country Look of Tweed
The Town 'n' Country Look of Tweed
Eugenie Groh
1966
M2017.118.394
Take a Look
Take a Look
Eugenie Groh
1976
M2017.114.218
The Town 'n' Country Look of Tweed
The Town 'n' Country Look of Tweed
Eugenie Groh
1966
M2017.114.92
Four Now Looks
Four Now Looks
Eugenie Groh
1967
M2017.114.94.1
Connoisseur Looks. New Fall Arrivals for the Woman with a Fuller Figure
Connoisseur Looks. New Fall Arrivals for the Woman with a Fuller Figure
Eugenie Groh
1964
M2017.118.347
Look what the factory put out for after work !
Look what the factory put out for after work !
Eugenie Groh
1968
M2017.114.114
The Great Look
The Great Look
Eugenie Groh
1967
M2017.114.99

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.