Skip to main contentAstronomical chart - Tabula Anemographica seu pyxis nautica ventorum nomina sex linguis repraesentans / Amstelodami apud Joan Janssonium | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Astronomical chart
Tabula Anemographica seu pyxis nautica ventorum nomina sex linguis repraesentans / Amstelodami apud Joan Janssonium
Artist
Johannes Janssonius
(1588-1664)
InscriptionsCartouche, b.g.: TABULA ANEMOGRA / PHICA / Seu / PIXIS NAUTICA / Ventorum nomina sex lin / guis repraesentans; coin, b.d.: AMSTELODAMI / Apud Joan Janssonium
Marks or Labels(from: Antlantis Majoris Quinta Pars, Orbem maritimum seu omnium Marium totius orbis terrarum navigationibus...)
Date
1660
Medium / Technique
Ink on paper
Intaglio, hand-coloured
Intaglio, hand-coloured
DimensionsHeight: 53.5 cm (21 1/16 in.)
Image width: 55.1 cm (21 11/16 in.)
Width: 63.8 cm (25 1/8 in.)
Image height: 43.7 cm (17 3/16 in.)
Origin
Amsterdam, North Holland, Netherlands, Europe
Object Number1979.510
DivisionArchives - Maps and Plans
CollectionStewart
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Typus selenographicus Lunæ phases varios ad graphicus et aspectus umbrans
Johannes van Loon
1660
1985.35.1
Pas Kaart Van West Indien Behelsende soo Deszelffs Vaste Kusten als d'Onder behoorende Eylanden aan de Noord Oçeaan door Vooght Geometra [East & Gulf Coast of USA]
Johannes van Keulen
1746
1999.20.2
Tabula Selenographica in qua Lunarium Macularum
Johann Gabriel Doppelmayr
1742
1979.258
Tabula Selenographica in qua Lunarium Macularum
Johann Gabriel Doppelmayr
About 1742
1979.257
Globi Coelestis in tabulas planas redacti pars V...
Johann Gabriel Doppelmayr
1742
1980.513
Les principales Forteresses Ports, &c. de l'Amérique Septentrionale
Johannes Covens
1759
1979.294
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.