Skip to main contentGelatin silver print - View of an unidentified church, Montreal ?, Quebec, 1948 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver print
View of an unidentified church, Montreal ?, Quebec, 1948
Photographer
Inconnu / Unknown
SignatureNon signé / Unsigned
InscriptionsOn back, stamped, u.l. : FEB 17 1948
Period
Milieu 20e siècle
Dimensions8,9 × 14 cm
Origin
Montreal ?, Quebec, Canada
Object NumberM2017.46.2.7253
CreditGift of Jean-Luc Allard and Lucie Surprenant
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
View of Saint-Ambroise church, Montreal, Quebec, 1948
Inconnu / Unknown
1948
M2017.46.2.7239
View of Saint-Ambroise church, Montreal, Quebec, 1946-1948
Inconnu / Unknown
1946-1948
M2017.46.2.7238
View of Saint-Léonard church, Quebec, 1940-1948
Paul Émile Duplain
1946-1948
M2017.46.2.2323
View of the greenhouse and gatehouse at Lafontaine Park, Montreal, Quebec, 1948
Inconnu / Unknown
1948
M2017.46.2.7243
Interior of the church in Pointe-Fortune, Quebec, 1948-1966
Studio S.P. Tremblay
1948-1966
M2017.46.2.6684
View of Chateau Malartic Hotel, Malartic, Quebec, 1946-1948 ?
Malartic Studios
1946-1948 ?
M2017.46.2.4633
View of Sainte-Catherine, Quebec, 1940-1948
Paul Émile Duplain
1946-1948
M2017.46.2.2324
View of Chateau Bleu, Lac Lamothe, Quebec, 1946-1948
P. G. V.
1946-1948
M2017.46.2.5599
View of Chateau Bleu, Lac Lamothe, Quebec, 1946-1948
P. G. V.
1946-1948
M2017.46.2.5600
View of Chateau Bleu, Lac Lamothe, Quebec, 1946-1948
P. G. V.
1946-1948
M2017.46.2.5598
View of Gala Theatre and Laliberte photo studio, Nicolet, Quebec, about 1948
H. Laliberté
after 1948
M2017.46.2.3735
View of the paper mills, Jonquière, Quebec, 1946-1948
Photographie Lalime Photography
1946-1948
M2017.46.2.5616
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.