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Albumen print
View of a crowd, Montreal, Quebec, 1874-1884
Photographer
James George Parks
(1836-1895)
SignatureOn front, beside image, printed, c.l. : J.G. PARKS, / 195 1/2 ST. JAMES STREET, . . . MONTREAL.
InscriptionsOn front, beside image, printed, c.r. : Fiffteen First Prizes awarded fo Portraits and Views.
Period
Fin 19e siècle
Dimensions7,7 × 14,4 cm
Origin
Montreal, Quebec, Canada
Object NumberM2017.46.2.5543
CreditGift of Jean-Luc Allard and Lucie Surprenant
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
View of Notre-Dame Street, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5534
View of Nelson's Monument, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5533
View of Notre-Dame Basilica, Montreal, Quebec, 1874-1884
James George Parks
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M2017.46.2.5539
View of the interior of Sisters of the Charity chapel, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5538
View of Notre-Dame Basilica, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5537
View of Victoria Square, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5536
View of the interior of Le Gesù Church, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5535
View of Montreal from Mount Royal Park, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5540
View of the Post Office and Bank of Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5542
View of Montreal from the tower of Notre-Dame Basilica, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5541
View of the Sisters of the Charity convent, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5545
View of Bonsecours Market, Montreal, Quebec, 1874-1884
James George Parks
1874-1884
M2017.46.2.5544
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.