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Portfolio - Sketches in the Canadas | McCord Museum
Image Not Availablefor Esquisses réalisées dans les Canadas
Esquisses réalisées dans les Canadas
Image Not Available

Portfolio

Sketches in the Canadas
Artist (1808-1882)
Signaturefirst page: SKETCHES IN THE CANADAS, BY COKE SMITH
Date 1968
Medium / Technique Paper, board, textile
Dimensions53.7 x 37.2 x 1.5 cm
Origin Canada
Object NumberM968.116.1
CollectionMcCord
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Sketches in the Canadas
Sketches in the Canadas
John Richard Coke Smyth
1840
M989X.72.3
Self-portrait of Coke Smyth, 1846
Self-portrait of Coke Smyth, 1846
John Richard Coke Smyth
1846
M2000.75.25
Attack & Defeat of Rebels at Dickinson Landing Upper Canada
John Richard Coke Smyth
1972?
M972.172.2
Attack and Defeat of Rebels at Dickinson Landing, Upper Canada
Attack and Defeat of Rebels at Dickinson Landing, Upper Canada
John Richard Coke Smyth
1840
M989X.72.10
The private chapel of the Ursuline Convent, Quebec
The private chapel of the Ursuline Convent, Quebec
John Richard Coke Smyth
1840
M16701.1
Falls of Montmorency
Falls of Montmorency
John Richard Coke Smyth
1840
M989X.72.11
Buffalo Hunting
Buffalo Hunting
John Richard Coke Smyth
1840
M989X.72.12
Citadel Quebec
Citadel Quebec
John Richard Coke Smyth
1840
M989X.72.13
Engagement in the Thousand Islands
Engagement in the Thousand Islands
John Richard Coke Smyth
1840
M989X.72.14
Rapids of St. Lawrence
Rapids of St. Lawrence
John Richard Coke Smyth
1840
M989X.72.15
Posting on the St. Lawrence during winter
Posting on the St. Lawrence during winter
John Richard Coke Smyth
1840
M989X.72.16
Moose hunter
Moose hunter
John Richard Coke Smyth
1840
M989X.72.19

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.