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Drawing - Anton Nielsen, stone carver working at the House of Commons entrance | McCord Museum
Anton Nielsen, sculpteur sur pierre travaillant à l'entrée de la Chambre des communes
Due to rights restrictions, this image cannot be downloaded at a higher resolution. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
Due to rights restrictions, this image cannot be downloaded at a higher resolution. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
Anton Nielsen, sculpteur sur pierre travaillant à l'entrée de la Chambre des communes
Anton Nielsen, sculpteur sur pierre travaillant à l'entrée de la Chambre des communes
Due to rights restrictions, this image cannot be downloaded at a higher resolution. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.

Drawing

Anton Nielsen, stone carver working at the House of Commons entrance
Artist (1924-1993)
SignatureNon signé / Unsigned
InscriptionsHandwritten on back, u.l. : ANTON NIELSEN / STONE CARVER / HOUSE OF COMMONS / ENTRANCE (INTERIOR) / # 606; handwritten on back, u.c. : 17 1/2 to 8; printed label glued on back, l.r. : 073276
Period 20e siècle
Medium / Technique Ink, crayon, pastel and felt pen on paper
DimensionsPaper: 30,4 × 45,8 cm (11 15/16 × 18 1/16 in.) Mat: 43,5 × 56,2 cm (17 1/8 × 22 1/8 in.)
ClassificationCommunication Objects - Arts - Visual Arts
Origin Ontario, Canada
Object NumberM2012.123.361
DivisionDocumentary Art
CollectionMcCord
CreditPurchase, funds graciously donated by the R. Howard Webster Foundation and The Toronto Star
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

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This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.