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Cartoon - In the Ottawa Operating Room. | McCord Museum
Sur la table d'opération d'Ottawa
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Sur la table d'opération d'Ottawa

Cartoon

In the Ottawa Operating Room.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1950
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.3 cm
Origin Canada
Object NumberM965.199.9810
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Back in the Operating Room.
Back in the Operating Room.
John Collins
About 1956
M965.199.8717
In the Seaway Operating Room.
In the Seaway Operating Room.
John Collins
About 1954
M965.199.9922
In the Politicians' Operating Room.
In the Politicians' Operating Room.
John Collins
About 1949
M965.199.8056
Operating Room Consultation.
Operating Room Consultation.
John Collins
1941/11/01
M965.199.3259
But We Couldn't Find Room for a Beaver.
But We Couldn't Find Room for a Beaver.
John Collins
About 1949
M965.199.9989
Smoke-Filled Rooms.
Smoke-Filled Rooms.
John Collins
About 1956
M965.199.1024
No Room for Anything Else on the Drawing Board Today.
No Room for Anything Else on the Drawing Board Today.
John Collins
About 1953
M965.199.9544
In the Big Four Waiting Room.
In the Big Four Waiting Room.
John Collins
About 1953
M965.199.9453
In the Waiting Room.
In the Waiting Room.
John Collins
About 1970
M965.199.6436
Another Smoke-Filled Room.
Another Smoke-Filled Room.
John Collins
1948
M965.199.8225
In the Washington Waiting Room.
In the Washington Waiting Room.
John Collins
About 1954
M965.199.9900
"I'd Like a Cart with Room for the Little One".
"I'd Like a Cart with Room for the Little One".
John Collins
About 1961
M965.199.3673

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.