Skip to main contentGelatin silver print - Irish Coast from the water, U. K., ca. 1910 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver print
Irish Coast from the water, U. K., ca. 1910
Photographer
Harry Sutcliffe
(1878-1942)
Date
About 1910
Medium / Technique
Silver salts on paper
Gelatin silver process
Gelatin silver process
Dimensions6.3 x 8.8 cm
Object NumberM2011.64.2.1.69
CollectionMcCord
CreditGift of Peter, Paul, Robert and Carolyn Sutcliffe
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Fishing from dock at New Bedford, Massachusetts, U. S. A., ca. 1935
Harry Sutcliffe
About 1935
M2011.64.2.2.299
Boats in harbour, U. S. A.(?), ca. 1920
Harry Sutcliffe
About 1920
M2011.64.2.1.34
Man standing beside stone retaining wall, beach houses behind, U. S.A., ca. 1920
Harry Sutcliffe
About 1920
M2011.64.2.1.36
Fairhaven, Massachusetts, U. S. A., ca. 1920
Harry Sutcliffe
About 1920
M2011.64.2.1.33
"A Ship Shape Place", sailboats in harbour, Massachussets, U. S. A., ca. 1925
Harry Sutcliffe
About 1925
M2011.64.2.2.388
Town seen from across water, QC, ca. 1916
Harry Sutcliffe
About 1916
M2011.64.2.1.157
City viewed from water, Liverpool, England, ca. 1916
Harry Sutcliffe
About 1916
M2011.64.2.1.202
Houses and water tower seen from river in winter, QC, ca. 1925
Harry Sutcliffe
About 1925
M2011.64.2.3.312
Florence Sutcliffe at water's edge, QC, ca. 1918
Harry Sutcliffe
About 1918
M2011.64.2.1.253
Sunshine through trees and water-filled ruts in a road through the forest, ca. 1914
Harry Sutcliffe
About 1914
M2011.64.2.5.239
Shipyard, one boat in water and others behind scaffolding, Trois-Rivières, QC, ca. 1918
Harry Sutcliffe
About 1918
M2011.64.2.1.238
Woman and girl at water's edge, QC, ca. 1918
Harry Sutcliffe
About 1918
M2011.64.2.1.264
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.