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Cartoon - Let's Stop Looking at the Negatives. | McCord Museum
Ne soyons pas « négatifs »
Ne soyons pas « négatifs »

Cartoon

Let's Stop Looking at the Negatives.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 28.9 cm
Origin Canada
Object NumberM965.199.9520
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Now They Can Only See the Negatives.
Now They Can Only See the Negatives.
John Collins
About 1957
M965.199.6214
...Two Negatives Will Not be Making a Positive...
...Two Negatives Will Not be Making a Positive...
Aislin
1987/07/30
M987.217.71
Let's Stop Drifting.
Let's Stop Drifting.
John Collins
About 1950
M965.199.5397
"But You're Supposed to Let Go" "Now Let's See You Run with It".
"But You're Supposed to Let Go" "Now Let's See You Run with It".
John Collins
1968
M965.199.6891
Let's Get the Path Open Again.
Let's Get the Path Open Again.
John Collins
About 1957
M965.199.1209
Let's Get Them in Focus.
Let's Get Them in Focus.
John Collins
About 1953
M965.199.2972
Let's Get Back on the Mountain !.
Let's Get Back on the Mountain !.
John Collins
About 1946
M965.199.2917
Let's Get In Step Here Too.
Let's Get In Step Here Too.
John Collins
About 1949
M965.199.8419
Let's Have Less of this Week-End.
Let's Have Less of this Week-End.
John Collins
About 1951
M965.199.7838
Let's Leave this Boy at Home.
Let's Leave this Boy at Home.
John Collins
1951
M965.199.7835
Now Let's Get On with the Job
Now Let's Get On with the Job
John Collins
1960
M965.199.3995
Let's Not Limit Canada to a 21-Inch Vision.
Let's Not Limit Canada to a 21-Inch Vision.
John Collins
About 1960
M965.199.3991

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.