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Cartoon - Can't Hide Everything with a Smoke Screen. | McCord Museum
On ne peut pas tout cacher par un écran de fumée
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On ne peut pas tout cacher par un écran de fumée

Cartoon

Can't Hide Everything with a Smoke Screen.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1960-1961
Medium / Technique Ink, graphite, watercolour and opaque white pigment on paper
Dimensions36.7 x 29.2 cm
Origin Canada
Object NumberM965.199.9322
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Complete with Smoke Screen.
Complete with Smoke Screen.
John Collins
About 1950
M965.199.299
Smoke Screen.
Smoke Screen.
John Collins
About 1945
M965.199.4607
Can't See the Decoy for the Gun Smoke.
Can't See the Decoy for the Gun Smoke.
John Collins
About 1958
M965.199.1152
Getting Too Big to Hide.
Getting Too Big to Hide.
John Collins
About 1949
M965.199.5984
Chinese Screen.
Chinese Screen.
John Collins
About 1954
M965.199.7480
By the Time We're Ready to Put On the Screens.
By the Time We're Ready to Put On the Screens.
John Collins
About 1966
M965.199.1420
Smoke-Filled Room.
Smoke-Filled Room.
John Collins
1960
M965.199.3893
Everything But What We Want.
Everything But What We Want.
John Collins
About 1953
M965.199.9499
Just When You Think You Have Everything Cleaned Up.
Just When You Think You Have Everything Cleaned Up.
John Collins
About 1954
M965.199.262
Everything But the Groom.
Everything But the Groom.
John Collins
1949
M965.199.8121
Risking Everything on a Single Card.
Risking Everything on a Single Card.
John Collins
1956
M965.199.1236
Like Everything We Get from Ottawa.
Like Everything We Get from Ottawa.
John Collins
About 1952
M965.199.5491

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.