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Cartoon - They Like Mike. | McCord Museum
Ils aiment Mike
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Ils aiment Mike

Cartoon

They Like Mike.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1958
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.0 cm
Origin Canada
Object NumberM965.199.9125
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Man Behind the Mike.
The Man Behind the Mike.
John Collins
About 1951
M965.199.7684
Sing Along with Mike.
Sing Along with Mike.
John Collins
About 1962
M965.199.7061
A Few Christmas Gifts I'd Like to Send.
A Few Christmas Gifts I'd Like to Send.
John Collins
About 1953
M965.199.9546
Whether We Like It or Not.
Whether We Like It or Not.
John Collins
About 1949
M965.199.5992
Looks Like a Hot Summer.
Looks Like a Hot Summer.
John Collins
1956
M965.199.8147
Looks Like a Good Time for a Challenge.
Looks Like a Good Time for a Challenge.
John Collins
About 1955
M965.199.9894
Sounds Like the Other Entry is Having Trouble Too.
Sounds Like the Other Entry is Having Trouble Too.
John Collins
About 1951
M965.199.7667
The Man Who Walks Like a Bear.
The Man Who Walks Like a Bear.
John Collins
About 1947
M965.199.10046
Looks Like Uncle's in for an Exciting New Year.
Looks Like Uncle's in for an Exciting New Year.
John Collins
About 1947
M965.199.2892
Looks Like He'll Have to Walk the Rest of the Way.
Looks Like He'll Have to Walk the Rest of the Way.
John Collins
About 1959
M965.199.6020
"If You Don't Like It-".
"If You Don't Like It-".
John Collins
1964
M965.199.2825
"Creeping like Snail Unwillingly to School".
"Creeping like Snail Unwillingly to School".
John Collins
About 1959
M965.199.6050

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.