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Cartoon - The Girl He Left Behind Him. | McCord Museum
Le nouveau prétendant
Le nouveau prétendant

Cartoon

The Girl He Left Behind Him.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1961
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.2 cm
Origin Canada
Object NumberM965.199.8976
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Girl He Left Behind Him.
The Girl He Left Behind Him.
John Collins
About 1946
M965.199.9569
The Girls He Left Behind Him.
The Girls He Left Behind Him.
John Collins
1959
M965.199.6044
The Girl He Left Behind Him.
The Girl He Left Behind Him.
John Collins
1943/07/17
M965.199.2143
The Girl He Left Behind Him.
The Girl He Left Behind Him.
John Collins
About 1947
M965.199.2927
A Real Target Right Behind Him.
A Real Target Right Behind Him.
John Collins
1938-1939
M965.199.4312
"Every Time I Get Him on the Couch He Falls Asleep".
"Every Time I Get Him on the Couch He Falls Asleep".
John Collins
1962
M965.199.3533
Left Behind as Usual.
Left Behind as Usual.
John Collins
1950
M965.199.9836
"-And Departing Leaves Behind Him".
"-And Departing Leaves Behind Him".
John Collins
About 1963
M965.199.7310
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Might Help Him to See Where He's Going.
Might Help Him to See Where He's Going.
John Collins
About 1946
M965.199.10092
Left Behind.
Left Behind.
John Collins
About 1939
M965.199.4033
Get Him on His Feet-But Don't Let Him Goose-Step.
Get Him on His Feet-But Don't Let Him Goose-Step.
John Collins
About 1949
M965.199.10001

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.