Skip to main content
Collections Menu
Cartoon - Pity the Poor Referee. | McCord Museum
Pitié pour le pauvre arbitre
View PDF
Pitié pour le pauvre arbitre

Cartoon

Pity the Poor Referee.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1960
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.2 cm
Origin Canada
Object NumberM965.199.8932
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Pity the Poor Pedestrian.
Pity the Poor Pedestrian.
John Collins
1945
M965.199.4421
Have pity on a poor old woman who can no longer live like a queen
Have pity on a poor old woman who can no longer live like a queen
Garnotte
2008
M2011.90.483
Referee's Decision.
Referee's Decision.
John Collins
1948
M965.199.3556
Wants to Put the Referee in the Penalty Box.
Wants to Put the Referee in the Penalty Box.
John Collins
About 1950
M965.199.9819
Doing All Right against the Referee Anyway.
Doing All Right against the Referee Anyway.
John Collins
About 1957
M965.199.8512
Guess Who Is Team Captain, Official Scorer and Referee.
Guess Who Is Team Captain, Official Scorer and Referee.
John Collins
About 1969
M965.199.8041
Pity the Dominie; or, Johnny's Return
Pity the Dominie; or, Johnny's Return
John Wilson Bengough
1886
M994X.5.273.94
Poor Little Rich Boy.
Poor Little Rich Boy.
John Collins
About 1946
M965.199.453
Poor Armament.
Poor Armament.
John Collins
About 1951
M965.199.7794
Poor Little Rich Boy.
Poor Little Rich Boy.
John Collins
About 1952
M965.199.5465
"You Poor Victim of Imperialist Aggression".
"You Poor Victim of Imperialist Aggression".
John Collins
About 1961
M965.199.9038
Poor Copy.
Poor Copy.
John Collins
About 1948
M965.199.8574

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.