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Cartoon - Better Use for Snowballs. | McCord Museum
Une meilleure façon d'utiliser des balles de neige
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Une meilleure façon d'utiliser des balles de neige

Cartoon

Better Use for Snowballs.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1952
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.8814
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Better Use for Snowballs.
Better Use for Snowballs.
John Collins
About 1950
M965.199.9429
A High Hat Invites Snowballs.
A High Hat Invites Snowballs.
John Collins
About 1956
M965.199.484
High Hats Tempt Snowballs.
High Hats Tempt Snowballs.
John Collins
About 1944
M965.199.4610
Still Cold Enough for Snowballs.
Still Cold Enough for Snowballs.
John Collins
About 1959
M965.199.5172
Victim of the Snowball Season.
Victim of the Snowball Season.
John Collins
About 1948
M965.199.8570
Snowball Rolling on Parliament Hill.
Snowball Rolling on Parliament Hill.
John Collins
About 1947
M965.199.2943
The Snowball Tax.
The Snowball Tax.
John Collins
About 1952
M965.199.8812
"Image, Someone Threw a Snowball at Me".
"Image, Someone Threw a Snowball at Me".
John Collins
About 1968
M965.199.6742
We Could Use a Hoover Cleaner Here.
We Could Use a Hoover Cleaner Here.
John Collins
About 1949
M965.199.8106
New Use for Coat Tails.
New Use for Coat Tails.
John Collins
About 1956
M965.199.5386
No Use Just Wringing Our Hands.
No Use Just Wringing Our Hands.
John Collins
About 1964
M965.199.2779
Very Pretty but Maybe We Should Use a Camera.
Very Pretty but Maybe We Should Use a Camera.
John Collins
About 1953
M965.199.6097

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.