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Cartoon - In and Out of the Isolation Booth. | McCord Museum
Au sortir de l'isoloir
Au sortir de l'isoloir

Cartoon

In and Out of the Isolation Booth.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.3 cm
Origin Canada
Object NumberM965.199.8777
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Back into the Isolation Booth.
Back into the Isolation Booth.
John Collins
1958
M965.199.6192
The Voice from the Isolation Booth.
The Voice from the Isolation Booth.
John Collins
1957
M965.199.8536
On the Way to the Polling Booth.
On the Way to the Polling Booth.
John Collins
1960
M965.199.9205
Quick, straight into isolation!
Quick, straight into isolation!
Garnotte
2007
M2011.90.194
Straightening Him Out.
Straightening Him Out.
John Collins
About 1960
M965.199.3918
Took Some of the Wind Out of His Sails.
Took Some of the Wind Out of His Sails.
John Collins
About 1960
M965.199.3931
"Everybody's Out of Step But Me !".
"Everybody's Out of Step But Me !".
John Collins
About 1954
M965.199.7953
Letting the Cat Out of the Bag.
Letting the Cat Out of the Bag.
John Collins
1949
M965.199.7973
Young Lochinvar is Come Out of the West.
Young Lochinvar is Come Out of the West.
John Collins
1948
M965.199.9734
Almost Crowded Right Out of the Window.
Almost Crowded Right Out of the Window.
John Collins
About 1952
M965.199.8469
Out of the Fire Into the Frying Pan.
Out of the Fire Into the Frying Pan.
John Collins
About 1946
M965.199.2908
Ringing Out the Old-Ringing In the New.
Ringing Out the Old-Ringing In the New.
John Collins
1955
M965.199.7935

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.