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Cartoon - In and Out of the Isolation Booth. | McCord Museum
Au sortir de l'isoloir
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Au sortir de l'isoloir

Cartoon

In and Out of the Isolation Booth.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.3 cm
Origin Canada
Object NumberM965.199.8777
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Back into the Isolation Booth.
Back into the Isolation Booth.
John Collins
1958
M965.199.6192
The Voice from the Isolation Booth.
The Voice from the Isolation Booth.
John Collins
1957
M965.199.8536
On the Way to the Polling Booth.
On the Way to the Polling Booth.
John Collins
1960
M965.199.9205
When Handing Out the Old Baloney.
When Handing Out the Old Baloney.
John Collins
About 1956
M965.199.1041
Makes It Hard to Figure Out the Next Play.
Makes It Hard to Figure Out the Next Play.
John Collins
About 1953
M965.199.9509
The Only Thing that Can Pull It Out.
The Only Thing that Can Pull It Out.
John Collins
About 1947
M965.199.8194
Wring Out the Old-Wring in the New.
Wring Out the Old-Wring in the New.
John Collins
About 1955
M965.199.9891
Drowning Out the New Soloist.
Drowning Out the New Soloist.
John Collins
About 1951
M965.199.7681
Out of this World.
Out of this World.
John Collins
About 1951
M965.199.10071
How Much Will Come Out of the Samovar ?.
How Much Will Come Out of the Samovar ?.
John Collins
About 1947
M965.199.238
Careful, We Don't Get Out of Orbit.
Careful, We Don't Get Out of Orbit.
John Collins
1960/04/20
M965.199.2412
Watch Out for a Runaway, Mighty Pharaoh.
Watch Out for a Runaway, Mighty Pharaoh.
John Collins
About 1958
M965.199.1145

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.