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Cartoon - Stereophonic Sound. | McCord Museum
En stéréophonie
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En stéréophonie

Cartoon

Stereophonic Sound.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.1 x 29.1 cm
Origin Canada
Object NumberM965.199.8748
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Stereophonic Sound.
Stereophonic Sound.
John Collins
About 1963
M965.199.7142
Stereophonic Sound.
Stereophonic Sound.
John Collins
About 1964
M965.199.2849
Sounds Like the Other Entry is Having Trouble Too.
Sounds Like the Other Entry is Having Trouble Too.
John Collins
About 1951
M965.199.7667
The Sound and Picture Don't Match.
The Sound and Picture Don't Match.
John Collins
About 1957
M965.199.8499
Sound Different this Year.
Sound Different this Year.
John Collins
About 1967
M965.199.9605
Doesn't Sound Much Like a Dove of Peace.
Doesn't Sound Much Like a Dove of Peace.
John Collins
About 1949
M965.199.7974
The Sound and the Picture Don't Match.
The Sound and the Picture Don't Match.
John Collins
About 1954
M965.199.7551
Sounds Like the Pipes Came with It.
Sounds Like the Pipes Came with It.
John Collins
About 1968
M965.199.10116
Yvon Picotte: “We’re going to work… every byway to build a sound structure”
Yvon Picotte: “We’re going to work… every byway to build a sound structure”
Garnotte
2004
M2009.50.349
Left Over Toys.
Left Over Toys.
John Collins
1952
M965.199.7719
Ottawa's Barber Shop.
Ottawa's Barber Shop.
John Collins
About 1946
M965.199.9968
And We Hope they Live Happily Ever After.
And We Hope they Live Happily Ever After.
John Collins
About 1946
M965.199.452

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.