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Cartoon - Can't See the Music for the Candelabra. | McCord Museum
Le chandelier éclipse la musique
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Le chandelier éclipse la musique

Cartoon

Can't See the Music for the Candelabra.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.0 cm
Origin Canada
Object NumberM965.199.8716
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Can't See the Decoy for the Gun Smoke.
Can't See the Decoy for the Gun Smoke.
John Collins
About 1958
M965.199.1152
"Can't You See I'm Busy".
"Can't You See I'm Busy".
John Collins
About 1969
M965.199.6846
Still Can't See Eye to Eye.
Still Can't See Eye to Eye.
John Collins
About 1960
M965.199.8948
"We Can't See the Dove for the the Dragon".
"We Can't See the Dove for the the Dragon".
John Collins
About 1955
M965.199.7927
"Go Away-Can't You See I'm Busy".
"Go Away-Can't You See I'm Busy".
John Collins
About 1960
M965.199.3908
Music ! Music ! Music !.
Music ! Music ! Music !.
John Collins
About 1950
M965.199.311
Now We Get to See the Souvenirs.
Now We Get to See the Souvenirs.
John Collins
1954
M965.199.9530
Off to See the Wizard.
Off to See the Wizard.
John Collins
About 1951
M965.199.7713
Will the Three Wise Men See It ?.
Will the Three Wise Men See It ?.
John Collins
About 1945
M965.199.420
Now They Can Only See the Negatives.
Now They Can Only See the Negatives.
John Collins
About 1957
M965.199.6214
That Should Help Him to See It.
That Should Help Him to See It.
John Collins
About 1945
M965.199.423
When Will He See the Light ?.
When Will He See the Light ?.
John Collins
About 1948
M965.199.3587

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.