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Cartoon - Getting Out of Reach. | McCord Museum
Hors d'atteinte
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Hors d'atteinte

Cartoon

Getting Out of Reach.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink and graphite on paper
Dimensions36.9 x 29.4 cm
Origin Canada
Object NumberM965.199.8687
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Taking It Out of Reach.
Taking It Out of Reach.
John Collins
1955
M965.199.736
We Have to Reach the Check-Out Counter Some Time.
We Have to Reach the Check-Out Counter Some Time.
John Collins
About 1960
M965.199.9335
Getting Them Out of the Mothballs.
Getting Them Out of the Mothballs.
John Collins
1952
M965.199.5560
Try Getting Out of that One.
Try Getting Out of that One.
John Collins
About 1968
M965.199.6797
That Boarding House Reach.
That Boarding House Reach.
John Collins
About 1947
M965.199.1359
Getting their Schoolbooks for the New Term.
Getting their Schoolbooks for the New Term.
John Collins
About 1953
M965.199.7374
Having a Hard Time Getting them All in Focus.
Having a Hard Time Getting them All in Focus.
John Collins
1953
M965.199.7351
Just Getting in Deeper and Deeper.
Just Getting in Deeper and Deeper.
John Collins
1949
M965.199.1391
Getting our Design in Early.
Getting our Design in Early.
John Collins
About 1961
M965.199.8994
Getting Ready to Send in a New Team.
Getting Ready to Send in a New Team.
John Collins
1952
M965.199.5495
Getting Ready for the Fireworks.
Getting Ready for the Fireworks.
John Collins
About 1952
M965.199.5537
Getting Ready to Do It Without an Accompanist.
Getting Ready to Do It Without an Accompanist.
John Collins
About 1952
M965.199.8480

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.