Skip to main content
Collections Menu
Cartoon - Ready to Cross the Rubican ?. | McCord Museum
Prêt à franchir le Rubicon ?
View PDF
Prêt à franchir le Rubicon ?

Cartoon

Ready to Cross the Rubican ?.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1940
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions38.2 x 28.2 cm
Origin Canada
Object NumberM965.199.8604
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Also Ready to Strike.
Also Ready to Strike.
John Collins
1943/12/15
M965.199.2259
Ready for the Toe-Held.
Ready for the Toe-Held.
John Collins
1943/08/19
M965.199.2171
Ready to Give the Boat a Lacing.
Ready to Give the Boat a Lacing.
John Collins
1943/08/20
M965.199.2172
Out of China 'Cross the Bay.
Out of China 'Cross the Bay.
John Collins
1945
M965.199.8618
At the Double-Cross Roads.
At the Double-Cross Roads.
John Collins
1942/02/28
M965.199.3312
Ready for the Second Hundred.
Ready for the Second Hundred.
John Collins
1966
M965.199.5937
By the Time We're Ready to Put On the Screens.
By the Time We're Ready to Put On the Screens.
John Collins
About 1966
M965.199.1420
All Ready for the Face-Off.
All Ready for the Face-Off.
John Collins
About 1965
M965.199.1625
Ready to Help Him Across the Street.
Ready to Help Him Across the Street.
John Collins
About 1968
M965.199.6802
Ready for the Running of the King's Plate.
Ready for the Running of the King's Plate.
John Collins
1948
M965.199.8201
Ready to Start the Honeymoon.
Ready to Start the Honeymoon.
John Collins
1948
M965.199.8203
Getting Ready for the Summit.
Getting Ready for the Summit.
John Collins
About 1960
M965.199.8917

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.