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Cartoon - After Elvis Visited Ottawa. | McCord Museum
Après la visite d'Elvis à Ottawa
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Après la visite d'Elvis à Ottawa

Cartoon

After Elvis Visited Ottawa.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1957
Medium / Technique Ink and graphite on paper
Dimensions37.3 x 26.5 cm
Origin Canada
Object NumberM965.199.8505
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
After the virtual Céline Dion-Elvis Presley duo… a Gérald Tremblay-Jean Drapeau duo…
After the virtual Céline Dion-Elvis Presley duo… a Gérald Tremblay-Jean Drapeau duo…
Garnotte
2007
M2011.90.222
Elvis Preston Hopes for Breakthrough in Quebec with New Slogan
Elvis Preston Hopes for Breakthrough in Quebec with New Slogan
Serge Chapleau
2000
M2001.99.155
Bill Clinton As Elvis
Bill Clinton As Elvis
Aislin
1992/11/04
m996.11.94
Under the Ottawa Tree (Day after Xmas).
Under the Ottawa Tree (Day after Xmas).
John Collins
About 1958
M965.199.5319
Ottawa's Day After Christmas.
Ottawa's Day After Christmas.
John Collins
About 1964
M965.199.1661
And We Hope they Live Happily Ever After.
And We Hope they Live Happily Ever After.
John Collins
About 1946
M965.199.452
After the Company Has Gone.
After the Company Has Gone.
John Collins
1951
M965.199.7774
The Morning After.
The Morning After.
John Collins
1949
M965.199.647
The After Christmas Carol.
The After Christmas Carol.
John Collins
1945
M965.199.406
'Twas the Week After Christmas.
'Twas the Week After Christmas.
John Collins
About 1953
M965.199.9539
The Morning After.
The Morning After.
John Collins
1970
M965.199.6437
The Morning After.
The Morning After.
John Collins
About 1946
M965.199.10093

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.