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Cartoon - Drawing Him Out. | McCord Museum
Par la bouche de son canon
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Par la bouche de son canon

Cartoon

Drawing Him Out.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1952
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.0 cm
Origin Canada
Object NumberM965.199.8466
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Straightening Him Out.
Straightening Him Out.
John Collins
About 1960
M965.199.3918
Trying to Pull the Chair Out from Under Him.
Trying to Pull the Chair Out from Under Him.
John Collins
1960-1961
M965.199.9318
They've Got to Get Him Out Sometime.
They've Got to Get Him Out Sometime.
John Collins
1939
M965.199.4174
Drowning Him Out.
Drowning Him Out.
John Collins
1942/10/28
M965.199.3402
Get Him on His Feet-But Don't Let Him Goose-Step.
Get Him on His Feet-But Don't Let Him Goose-Step.
John Collins
About 1949
M965.199.10001
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
Might Help Him to See Where He's Going.
Might Help Him to See Where He's Going.
John Collins
About 1946
M965.199.10092
Had Two Strikes on Him from the Start.
Had Two Strikes on Him from the Start.
John Collins
About 1948
M965.199.8244
"Is Margaret Going to Marry Him or Not ?".
"Is Margaret Going to Marry Him or Not ?".
John Collins
About 1956
M965.199.10063
Time to Give Him a Choice.
Time to Give Him a Choice.
John Collins
About 1949
M965.199.1128
The Girl He Left Behind Him.
The Girl He Left Behind Him.
John Collins
About 1946
M965.199.9569
Wants Him to Go Two Ways at Once.
Wants Him to Go Two Ways at Once.
John Collins
About 1959
M965.199.6021

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.