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Cartoon - Don't Pick the Wrong One. | McCord Museum
Ne choisis pas le mauvais
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Ne choisis pas le mauvais

Cartoon

Don't Pick the Wrong One.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1947
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.1 cm
Origin Canada
Object NumberM965.199.8428
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Don't Leave Them Under the Wrong Tree.
Don't Leave Them Under the Wrong Tree.
John Collins
About 1956
M965.199.473
Don't Get Off on the Wrong Scent.
Don't Get Off on the Wrong Scent.
John Collins
1945
M965.199.177
Wrong Way on a One-Way Street.
Wrong Way on a One-Way Street.
John Collins
About 1953
M965.199.615
There's One Trophy They Don't Boast About.
There's One Trophy They Don't Boast About.
John Collins
About 1951
M965.199.7737
Pick-Me-Up.
Pick-Me-Up.
John Collins
About 1948
M965.199.1351
Plenty to Pick Up on the Right Side of the Street.
Plenty to Pick Up on the Right Side of the Street.
John Collins
1949
M965.199.8097
Take Your Pick.
Take Your Pick.
John Collins
1961
M965.199.7408
Seeing What He Can Pick Up.
Seeing What He Can Pick Up.
John Collins
About 1967
M965.199.6442
Trying to Pick a Winner.
Trying to Pick a Winner.
John Collins
1940/03/23
M965.199.1752
Art Eggleton awards $36,500 contract to ex-girlfriend: I don't see anything wrong...
Art Eggleton awards $36,500 contract to ex-girlfriend: I don't see anything wrong...
Serge Chapleau
2002
M2003.143.158
Careful We Aren't Training for the Wrong Fight.
Careful We Aren't Training for the Wrong Fight.
John Collins
About 1957
M965.199.9101
Wrong Formula.
Wrong Formula.
John Collins
About 1947
M965.199.1319

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.