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Cartoon - Too Much Artistic Licence | McCord Museum
Un tableau optimiste
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Un tableau optimiste

Cartoon

Too Much Artistic Licence
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1949
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.1 cm
Origin Canada
Object NumberM965.199.8355
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Artistic Licence
Artistic Licence
John Collins
About 1959
M965.199.5033
In Danger of Too Much Assistance.
In Danger of Too Much Assistance.
John Collins
About 1949
M965.199.668
Plea of Artistic Licence
Plea of Artistic Licence
Aislin
1977/11/02
M988.176.365
"Oh, I Don't Need a Licence".
"Oh, I Don't Need a Licence".
John Collins
About 1967
M965.199.5815
When We Try to Crowd Too Much Into It.
When We Try to Crowd Too Much Into It.
John Collins
About 1968
M965.199.6997
How Much is Padding and How Much is Player.
How Much is Padding and How Much is Player.
John Collins
About 1957
M965.199.5633
Not So Much Fun for the Reindeer.
Not So Much Fun for the Reindeer.
John Collins
About 1949
M965.199.5103
"How Much Is that Doggie in the Window ?".
"How Much Is that Doggie in the Window ?".
John Collins
About 1961
M965.199.3650
Not Much of a Lifeline.
Not Much of a Lifeline.
John Collins
1950
M965.199.9005
The Weather Hasn't Changed that Much.
The Weather Hasn't Changed that Much.
John Collins
About 1952
M965.199.8463
How Much Will Come Out of the Samovar ?.
How Much Will Come Out of the Samovar ?.
John Collins
About 1947
M965.199.238
So Much Horse Power, So Little Horse Sense.
So Much Horse Power, So Little Horse Sense.
John Collins
About 1951
M965.199.7823

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.