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Cartoon - Time We Came to the End of the Tail-Fin Era. | McCord Museum
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Le nouveau modèle

Cartoon

Time We Came to the End of the Tail-Fin Era.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1962
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.0 cm
Origin Canada
Object NumberM965.199.8316
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Isn't this Where We Came in Twenty-Five Years Ago.
Isn't this Where We Came in Twenty-Five Years Ago.
John Collins
About 1964
M965.199.2773
End of an Era in Quebec
End of an Era in Quebec
Normand Hudon
1963
M997.63.410
It's the Twiggy Era.
It's the Twiggy Era.
John Collins
About 1967
M965.199.9289
Tail-End Charlie.
Tail-End Charlie.
John Collins
About 1966
M965.199.788
Which End Are We Going to Use ?.
Which End Are We Going to Use ?.
John Collins
About 1947
M965.199.8328
The Man Who Came to Dinner.
The Man Who Came to Dinner.
John Collins
About 1970
M965.199.6438
Look What Came Up in Our Victory Garden.
Look What Came Up in Our Victory Garden.
John Collins
1948
M965.199.3642
The Bear Came Over the Mountain.
The Bear Came Over the Mountain.
John Collins
1945-1946
M965.199.2456
The Bear Came Over the Mountain.
The Bear Came Over the Mountain.
John Collins
About 1947
M965.199.528
Doesn't Look Like Much By the Time We Get It Home.
Doesn't Look Like Much By the Time We Get It Home.
John Collins
About 1957
M965.199.5602
The Last Time We Saw Paris.
The Last Time We Saw Paris.
John Collins
About 1949
M965.199.1381
We Have to Reach the Check-Out Counter Some Time.
We Have to Reach the Check-Out Counter Some Time.
John Collins
About 1960
M965.199.9335

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.