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Cartoon - All Eyes on the Sphinx. | McCord Museum
Tous les yeux sont tournés vers le sphinx
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Tous les yeux sont tournés vers le sphinx

Cartoon

All Eyes on the Sphinx.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1948
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 28.9 cm
Origin Canada
Object NumberM965.199.8220
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Can You Believe Your Eyes or Your Eyes.
Can You Believe Your Eyes or Your Eyes.
John Collins
About 1957
M965.199.8519
Smoke Gets in your Eyes.
Smoke Gets in your Eyes.
John Collins
1964
M965.199.9581
Time to Keep Our Eyes on the Ball.
Time to Keep Our Eyes on the Ball.
John Collins
About 1951
M965.199.7810
Smoke Gets in Your Eyes.
Smoke Gets in Your Eyes.
John Collins
About 1949
M965.199.9792
Spuds Before His Eyes.
Spuds Before His Eyes.
John Collins
About 1949
M965.199.9793
These Days You Need Eyes in the Back of Your Head.
These Days You Need Eyes in the Back of Your Head.
John Collins
1957
M965.199.6266
Maybe Leave a Little Wool to Pull Over His Eyes.
Maybe Leave a Little Wool to Pull Over His Eyes.
John Collins
About 1954
M965.199.7504
The Eyes Have It.
The Eyes Have It.
John Collins
About 1966
M965.199.836
"Why, Grandma, What Big Eyes You Have !".
"Why, Grandma, What Big Eyes You Have !".
John Collins
About 1964
M965.199.2711
The Eyes of the World Will Be On Us.
The Eyes of the World Will Be On Us.
John Collins
About 1963
M965.199.7424
Let's Get Our Eyes Back on the Ball.
Let's Get Our Eyes Back on the Ball.
John Collins
1967
M965.199.6481
The Eyes Have It.
The Eyes Have It.
John Collins
About 1956
M965.199.1026

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.