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Cartoon - What About the Innocent Bystanders ?. | McCord Museum
Que font-ils des spectateurs innocents?
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Que font-ils des spectateurs innocents?

Cartoon

What About the Innocent Bystanders ?.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1948
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.0 cm
Origin Canada
Object NumberM965.199.8200
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Innocent Bystander.
The Innocent Bystander.
John Collins
About 1968
M965.199.6566
The Innocent Bystander.
The Innocent Bystander.
John Collins
About 1960
M965.199.3980
What's Canadian about this Program ?.
What's Canadian about this Program ?.
John Collins
About 1952
M965.199.5547
"What About a Baggage Allowance ?".
"What About a Baggage Allowance ?".
John Collins
About 1961
M965.199.8960
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Not What He Expected.
Not What He Expected.
John Collins
About 1948
M965.199.3641
Look What Came Up in Our Victory Garden.
Look What Came Up in Our Victory Garden.
John Collins
1948
M965.199.3642
What the Well-Dressed Negotiator Will Wear.
What the Well-Dressed Negotiator Will Wear.
John Collins
About 1961
M965.199.3656
What a Chimney.
What a Chimney.
John Collins
About 1948
M965.199.3548
"Look What We're Doing for You".
"Look What We're Doing for You".
John Collins
About 1970
M965.199.5797
Not Exactly What He Wanted.
Not Exactly What He Wanted.
John Collins
About 1952
M965.199.8825
Look What He Dug Up.
Look What He Dug Up.
John Collins
About 1952
M965.199.8458

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.