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Cartoon - Cut-Rate Masterpieces. | McCord Museum
Quelques chefs-d'oeuvre pour la Galerie nationale
Quelques chefs-d'oeuvre pour la Galerie nationale

Cartoon

Cut-Rate Masterpieces.
Artist (1917-2007)
SignatureU. l. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink and graphite on paper
Dimensions37.1 x 29.0 cm
Origin Canada
Object NumberM965.199.8154
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
From Our Gallery of European Masterpieces.
From Our Gallery of European Masterpieces.
John Collins
About 1966
M965.199.1416
Masterpieces from Uno Who's National Gallery.
Masterpieces from Uno Who's National Gallery.
John Collins
About 1963
M965.199.9178
His Masterpiece.
His Masterpiece.
John Collins
About 1949
M965.199.8416
"Good Heavens ! They've Spoiled my Masterpiece !".
"Good Heavens ! They've Spoiled my Masterpiece !".
John Collins
1963
M965.199.7160
Fright Rates.
Fright Rates.
John Collins
About 1948
M965.199.3598
After the pastiche of “Liberty Guiding the People”… the masterpiece of Rideau Hall?
After the pastiche of “Liberty Guiding the People”… the masterpiece of Rideau Hall?
Garnotte
2012
M2019.45.114
There Is No Short-Cut.
There Is No Short-Cut.
John Collins
About 1946
M965.199.346
Cuts Two Ways.
Cuts Two Ways.
John Collins
About 1949
M965.199.670
Growing Faster than It Can Be Cut.
Growing Faster than It Can Be Cut.
John Collins
About 1951
M965.199.7796
Time to Cut Down our Waste-Line.
Time to Cut Down our Waste-Line.
John Collins
About 1946
M965.199.9850
Cut in Half.
Cut in Half.
John Collins
1945
M965.199.4441
Time to Cut the Cloth to Suit the Purse.
Time to Cut the Cloth to Suit the Purse.
John Collins
About 1938
M965.199.4127

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.