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Cartoon - At the Scene of the Crime. | McCord Museum
Sur la scène du crime
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Sur la scène du crime

Cartoon

At the Scene of the Crime.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1969
Medium / Technique Ink, graphite on Cardboard
Dimensions36.9 x 28.8 cm
Origin Canada
Object NumberM965.199.8047
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Returning to the Scene of the Crime.
Returning to the Scene of the Crime.
John Collins
About 1944
M965.199.5670
Not-So-Crime Valentines.
Not-So-Crime Valentines.
John Collins
About 1951
M965.199.7884
Let the Punishment Fit the Crime.
Let the Punishment Fit the Crime.
John Collins
About 1955
M965.199.5246
Montreal Fire Works Rather Than Los Angeles Crime
Montreal Fire Works Rather Than Los Angeles Crime
Aislin
1993
M997.53.83
Jean-Louis Roux in "The Crime of Ovide Plouffe"
Jean-Louis Roux in "The Crime of Ovide Plouffe"
Serge Chapleau
1996
M998.51.90
Balcony Scene.
Balcony Scene.
John Collins
1942/11/23
M965.199.3499
Crime rate falls 5% in Canada: Did they finally put bars on the windows and doors of the Commons?
Crime rate falls 5% in Canada: Did they finally put bars on the windows and doors of the Commons?
Éric Godin
1994
M2002.133.73
L'âge reconnu pour crimes graves est abaissé
L'âge reconnu pour crimes graves est abaissé
R. Pier
1999
M2011.105.441
Financial crimes
Financial crimes
Aislin
2002
M2008.143.35
CECO inquiry on organized crime
CECO inquiry on organized crime
Aislin
1973
M2006.142.55
What a Hoot, eh?  There Was No Crime....
What a Hoot, eh? There Was No Crime....
Aislin
1990
M999.65.211
Behind the Scene.
Behind the Scene.
John Collins
About 1953
M965.199.6096

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.