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Cartoon - Now to Get it Down the Chimney. | McCord Museum
Le plus difficile est de le faire passer dans la cheminée
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Le plus difficile est de le faire passer dans la cheminée

Cartoon

Now to Get it Down the Chimney.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1954
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.7948
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"How Can I Get Down that Chimney ?".
"How Can I Get Down that Chimney ?".
John Collins
1944
M965.199.4832
Down the Ottawa Chimney.
Down the Ottawa Chimney.
John Collins
About 1967
M965.199.9636
It's Better to Get Down than to Fall Down.
It's Better to Get Down than to Fall Down.
John Collins
About 1947
M965.199.1363
Now to Get Back on the Right Track.
Now to Get Back on the Right Track.
John Collins
1955
M965.199.7385
Now to Get Him On the Right Scent.
Now to Get Him On the Right Scent.
John Collins
1948
M965.199.1358
Now We Get a Closer Look.
Now We Get a Closer Look.
John Collins
1953
M965.199.7354
Now to Get the Lion to Co-Operate.
Now to Get the Lion to Co-Operate.
John Collins
About 1949
M965.199.8389
Now to Get It Back Together Again.
Now to Get It Back Together Again.
John Collins
About 1951
M965.199.7806
Now Let's Get On with the Job
Now Let's Get On with the Job
John Collins
1960
M965.199.3995
Now We Get to See the Souvenirs.
Now We Get to See the Souvenirs.
John Collins
1954
M965.199.9530
"Shall We Get Down to Business, Gentlemen".
"Shall We Get Down to Business, Gentlemen".
John Collins
About 1963
M965.199.7268
What a Chimney.
What a Chimney.
John Collins
About 1948
M965.199.3548

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.