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Cartoon - To Get the Ball Rolling. | McCord Museum
Pour s'assurer de ne pas rater la balle
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Pour s'assurer de ne pas rater la balle

Cartoon

To Get the Ball Rolling.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1955
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.4 cm
Origin Canada
Object NumberM965.199.7928
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Starting the Ball Rolling.
Starting the Ball Rolling.
John Collins
About 1946
M965.199.9969
A Winning Play If He Can Get the Ball.
A Winning Play If He Can Get the Ball.
John Collins
About 1951
M965.199.7744
The Quarterback is Trying to Get Rid of the Ball.
The Quarterback is Trying to Get Rid of the Ball.
John Collins
1948-1949
M965.199.9416
Let's Get Our Eyes Back on the Ball.
Let's Get Our Eyes Back on the Ball.
John Collins
1967
M965.199.6481
Snowball Rolling on Parliament Hill.
Snowball Rolling on Parliament Hill.
John Collins
About 1947
M965.199.2943
Just Keep Rolling Along.
Just Keep Rolling Along.
John Collins
About 1970
M965.199.5788
Still Rolling His Own.
Still Rolling His Own.
John Collins
About 1954
M965.199.7591
Egg Rolling on the White House Lawn.
Egg Rolling on the White House Lawn.
John Collins
About 1955
M965.199.9868
Mr. Fleming's Period of "Rolling Readjustment".
Mr. Fleming's Period of "Rolling Readjustment".
John Collins
About 1960
M965.199.8878
Financial Log-Rolling.
Financial Log-Rolling.
John Collins
About 1967
M965.199.5877
Rolling His Own.
Rolling His Own.
John Collins
About 1965
M965.199.1540
Keep Your Eye on the Ball !.
Keep Your Eye on the Ball !.
John Collins
About 1946
M965.199.10089

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.