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Cartoon - Second Battle of Britain. | McCord Museum
La deuxième bataille de la Grande-Bretagne
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La deuxième bataille de la Grande-Bretagne

Cartoon

Second Battle of Britain.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1947
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.2 cm
Origin Canada
Object NumberM965.199.7444
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Another Battle of Britain.
Another Battle of Britain.
John Collins
About 1949
M965.199.1371
Rock n'Roll Hits Britain.
Rock n'Roll Hits Britain.
John Collins
1956
M965.199.1072
Modern Map of Great Britain.
Modern Map of Great Britain.
John Collins
About 1962
M965.199.7227
A second-hand submarine purchased by Canada from Great Britain engulfed in smoke…
A second-hand submarine purchased by Canada from Great Britain engulfed in smoke…
Garnotte
2004
M2009.50.357
Another Festival of Britain.
Another Festival of Britain.
John Collins
1951
M965.199.7777
The Second Team Goes in.
The Second Team Goes in.
John Collins
1955
M965.199.7389
Second Wave On the Beachhead.
Second Wave On the Beachhead.
John Collins
About 1958
M965.199.6345
Now for the Second Hole.
Now for the Second Hole.
John Collins
1956
M965.199.1256
Playing Second Fiddle Is an Important Job Too.
Playing Second Fiddle Is an Important Job Too.
John Collins
1949
M965.199.8398
The Ottawa Seconds.
The Ottawa Seconds.
John Collins
About 1955
M965.199.2479
Time for a Few Second Thoughts.
Time for a Few Second Thoughts.
John Collins
About 1956
M965.199.478
Coming Out for the Second Half.
Coming Out for the Second Half.
John Collins
About 1961
M965.199.3712

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.