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Cartoon - Belt Tightening. | McCord Museum
Il faut se serrer la ceinture
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Il faut se serrer la ceinture

Cartoon

Belt Tightening.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1962
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.2 cm
Origin Canada
Object NumberM965.199.7083
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Jacques Parizeau Tightening His Belt
Jacques Parizeau Tightening His Belt
Aislin
1982
M988.176.184
President Gerald Ford's Belt Tightening...
President Gerald Ford's Belt Tightening...
Aislin
1975/12/31
M988.176.285
People still tightening their belts. And the rich...?
People still tightening their belts. And the rich...?
Éric Godin
1997
M2002.132.2
Tightening the Strangle-Hold.
Tightening the Strangle-Hold.
John Collins
About 1939
M965.199.4046
Fasten Your Seat Belts.
Fasten Your Seat Belts.
John Collins
About 1959
M965.199.5126
Winning His Polka Dot Belt.
Winning His Polka Dot Belt.
John Collins
1968
M965.199.6559
The Belt Tighteners.
The Belt Tighteners.
John Collins
About 1951
M965.199.7761
Ménards Presents Plan for Tightening Control of Sûreté du Québec
Ménards Presents Plan for Tightening Control of Sûreté du Québec
Serge Chapleau
1999
M2001.99.142
Catalogue illustration of a conveyor belt machine
Catalogue illustration of a conveyor belt machine
John Henry Walker
About 1850-1885
M930.50.7.827
Link Belt Mach' Y Co.
Link Belt Mach' Y Co.
John Henry Walker
About 1850-1885
M930.50.1.355
Bloc Transmission Belt
Bloc Transmission Belt
Serge Chapleau
1994/06/25
M996.10.639
No hitting above the belt
No hitting above the belt
Garnotte
2004
M2009.50.276

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.