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Cartoon - Two of Everything. | McCord Museum
Tout est en double
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Tout est en double

Cartoon

Two of Everything.
Artist (1917-2007)
SignatureL. c. within image, JOHN COLLINS
Date About 1968
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions36.9 x 29.6 cm
Origin Canada
Object NumberM965.199.6813
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Two Sides to Everything.
Two Sides to Everything.
John Collins
1940/01/02
M965.199.1687
Discarding Everything But the Duce.
Discarding Everything But the Duce.
John Collins
1941/03/26
M965.199.3070
Not Everything is Big League Around Here.
Not Everything is Big League Around Here.
John Collins
About 1969
M965.199.8035
The Man Who Has Everything.
The Man Who Has Everything.
John Collins
About 1966
M965.199.5941
They've Automated Everything but the Taxpayer.
They've Automated Everything but the Taxpayer.
John Collins
About 1966
M965.199.751
Everything but the Kitchen Sink.
Everything but the Kitchen Sink.
John Collins
About 1965
M965.199.1572
For the Man Who Has Everything.
For the Man Who Has Everything.
John Collins
About 1967
M965.199.9287
Like Everything We Get from Ottawa.
Like Everything We Get from Ottawa.
John Collins
About 1952
M965.199.5491
Everything But What We Want.
Everything But What We Want.
John Collins
About 1953
M965.199.9499
Just When You Think You Have Everything Cleaned Up.
Just When You Think You Have Everything Cleaned Up.
John Collins
About 1954
M965.199.262
Everything But the Groom.
Everything But the Groom.
John Collins
1949
M965.199.8121
Risking Everything on a Single Card.
Risking Everything on a Single Card.
John Collins
1956
M965.199.1236

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.