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Cartoon - Another Woman Jockey. | McCord Museum
Une autre femme jockey
Une autre femme jockey

Cartoon

Another Woman Jockey.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1968
Medium / Technique Ink, graphite on Cardboard
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.6793
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
They'll Never Find Another Jockey Like That-or-The Jockey Decides to Run.
They'll Never Find Another Jockey Like That-or-The Jockey Decides to Run.
John Collins
About 1956
M965.199.8719
The Jockeys are Picked.
The Jockeys are Picked.
John Collins
1956
M965.199.1040
The Jockey Shows the Way.
The Jockey Shows the Way.
John Collins
1956
M965.199.1264
Ottawa Disk Jockey.
Ottawa Disk Jockey.
John Collins
About 1957
M965.199.520
Another Cloak for Another Elizabeth.
Another Cloak for Another Elizabeth.
John Collins
1964
M965.199.9590
Maybe We Should Take Another Look at Aesop.
Maybe We Should Take Another Look at Aesop.
John Collins
About 1967
M965.199.5871
Another Front We're Interested In.
Another Front We're Interested In.
John Collins
1942/08/31
M965.199.3443
Another Nail in Hitler's Coffin.
Another Nail in Hitler's Coffin.
John Collins
1943-1944
M965.199.4768
Another Bridge that Should Be Dedicated.
Another Bridge that Should Be Dedicated.
John Collins
About 1939
M965.199.4292
Another Step Nearer.
Another Step Nearer.
John Collins
About 1939
M965.199.4307
Another Empty in the Shower Record Competition.
Another Empty in the Shower Record Competition.
John Collins
About 1965
M965.199.1633
Another Jump Without a Parachute.
Another Jump Without a Parachute.
John Collins
About 1965
M965.199.1637

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.