Skip to main content
Collections Menu
Cartoon - Wrong Symbol of Expo. | McCord Museum
La mauvais symbole de l'Expo
View PDF
La mauvais symbole de l'Expo

Cartoon

Wrong Symbol of Expo.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1967
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.6469
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
That Expo Symbol Doesn't Look the Same to All of Us.
That Expo Symbol Doesn't Look the Same to All of Us.
John Collins
1967
M965.199.9642
A Lesson in Symbols.
A Lesson in Symbols.
John Collins
About 1939
M965.199.4051
Raising the Wrong Banner.
Raising the Wrong Banner.
John Collins
About 1945
M965.199.4526
Something Went Wrong with the Peace-Pipe Ceremony.
Something Went Wrong with the Peace-Pipe Ceremony.
John Collins
About 1969
M965.199.6881
April Fool Comes at the Wrong End of the Month.
April Fool Comes at the Wrong End of the Month.
John Collins
About 1966
M965.199.914
"And What's Wrong with the Model We Have ?.
"And What's Wrong with the Model We Have ?.
John Collins
About 1966
M965.199.1436
Looking at it the Wrong Way.
Looking at it the Wrong Way.
John Collins
1941/08/28
M965.199.3192
Off on the Wrong Scent.
Off on the Wrong Scent.
John Collins
1942-1943
M965.199.4783
The Wrong Target.
The Wrong Target.
John Collins
About 1945
M965.199.8829
Off on the Wrong Scent.
Off on the Wrong Scent.
John Collins
About 1946
M965.199.39
Looking the Wrong Way !.
Looking the Wrong Way !.
John Collins
1938-1939
M965.199.4317
Cutting in the Wrong Places.
Cutting in the Wrong Places.
John Collins
1942/03/17
M965.199.3317

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.