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Cartoon - It's the Rest of the Family that Bothers Us. | McCord Museum
C'est le reste de la famille qui nous agace
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C'est le reste de la famille qui nous agace

Cartoon

It's the Rest of the Family that Bothers Us.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.6 x 29.3 cm
Origin Canada
Object NumberM965.199.6098
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
It's Directed at Us Too.
It's Directed at Us Too.
John Collins
1942/07/10
M965.199.3412
Don't Bother with the Hearing Aid, Winnie.
Don't Bother with the Hearing Aid, Winnie.
John Collins
About 1954
M965.199.7617
Don't Bother Mailing Your Entries.
Don't Bother Mailing Your Entries.
John Collins
About 1969
M965.199.6847
Torpedoed Before It's Launched.
Torpedoed Before It's Launched.
John Collins
About 1949
M965.199.9981
It's Not in the Frying Pan Yet.
It's Not in the Frying Pan Yet.
John Collins
1956
M965.199.1055
It's Auto Show Time.
It's Auto Show Time.
John Collins
1970
M965.199.6434
It's a Small World.
It's a Small World.
John Collins
About 1948
M965.199.8206
It's a Duplex Now.
It's a Duplex Now.
John Collins
About 1954
M965.199.9911
The Accounts of Its Life Were Greatly Exaggerated.
The Accounts of Its Life Were Greatly Exaggerated.
John Collins
About 1951
M965.199.7705
They Think It's Christmas All the Year Round.
They Think It's Christmas All the Year Round.
John Collins
About 1950
M965.199.10075
"No, It's Super Pierre".
"No, It's Super Pierre".
John Collins
About 1970
M965.199.6419
Baby, It's Cold Outside.
Baby, It's Cold Outside.
John Collins
About 1956
M965.199.1007

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.