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Cartoon - Ready to Select the '57 Model. | McCord Museum
Prêt à choisir le modèle de 1957
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Prêt à choisir le modèle de 1957

Cartoon

Ready to Select the '57 Model.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1956
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.1 x 29.2 cm
Origin Canada
Object NumberM965.199.6087
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Very Model of a Model Secretary-General.
The Very Model of a Model Secretary-General.
John Collins
About 1961
M965.199.3649
Ready for the Running of the King's Plate.
Ready for the Running of the King's Plate.
John Collins
1948
M965.199.8201
Ready to Start the Honeymoon.
Ready to Start the Honeymoon.
John Collins
1948
M965.199.8203
Getting Ready for the Summit.
Getting Ready for the Summit.
John Collins
About 1960
M965.199.8917
Getting Ready to Send in a New Team.
Getting Ready to Send in a New Team.
John Collins
1952
M965.199.5495
Ready for Another Look ?.
Ready for Another Look ?.
John Collins
About 1952
M965.199.5525
All Ready to Take the Plunges.
All Ready to Take the Plunges.
John Collins
1952-1953
M965.199.5548
Getting Ready to Do It Without an Accompanist.
Getting Ready to Do It Without an Accompanist.
John Collins
About 1952
M965.199.8480
Getting Ready for the Viennese Waltz.
Getting Ready for the Viennese Waltz.
John Collins
1961
M965.199.8978
Ready for a First Hand Look.
Ready for a First Hand Look.
John Collins
1954
M965.199.7613
Ready to Ride Off in All Directions ?.
Ready to Ride Off in All Directions ?.
John Collins
1947
M965.199.9428
Ready to Steal His Clothes.
Ready to Steal His Clothes.
John Collins
1956
M965.199.1251

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.