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Cartoon - Not So Sure that He Wants to Be Rescued. | McCord Museum
La corde au cou
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La corde au cou

Cartoon

Not So Sure that He Wants to Be Rescued.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1959
Medium / Technique Ink and graphite on paper
Dimensions37.1 x 29.2 cm
Origin Canada
Object NumberM965.199.6053
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Everybody Wants a Freeze but Nobody Wants to Be Frozen.
Everybody Wants a Freeze but Nobody Wants to Be Frozen.
John Collins
About 1951
M965.199.8277
Not Sure if He Has Anything to Be Thankful For.
Not Sure if He Has Anything to Be Thankful For.
John Collins
About 1948
M965.199.9736
Making Sure That He Won't.
Making Sure That He Won't.
John Collins
1940/07/05
M965.199.1835
He Sure Isn't Playing "Danny Boy".
He Sure Isn't Playing "Danny Boy".
John Collins
About 1968
M965.199.6648
He Wants to Know
He Wants to Know
Arthur George Racey
1932
M2005.23.349
Wants to Paddle His Own Canoe.
Wants to Paddle His Own Canoe.
John Collins
About 1948
M965.199.5971
Wants to Paddle His Own Canoe.
Wants to Paddle His Own Canoe.
John Collins
About 1948
M965.199.5991
Wants Him to Go Two Ways at Once.
Wants Him to Go Two Ways at Once.
John Collins
About 1959
M965.199.6021
Wants to Put the Referee in the Penalty Box.
Wants to Put the Referee in the Penalty Box.
John Collins
About 1950
M965.199.9819
Everybody Wants to Get in the Act.
Everybody Wants to Get in the Act.
John Collins
About 1951
M965.199.7678
Look Who Wants to Play.
Look Who Wants to Play.
John Collins
About 1951
M965.199.7674
Nobody Wants to Carry the Ball.
Nobody Wants to Carry the Ball.
John Collins
About 1947
M965.199.10028

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.